Monday, August 31, 2009
ZACK SNYDER BIO
ZACK SNYDER
Date of Birth: March 1, 1966
Born in Green Bay, Wisconsin, Zack Snyder was featured in British Communication Arts magazine as one of the most talented commercial directors in the country. He began his early artistic training by studying painting at the Heatherlies School in London, then went on to the Art Center College of Design in Pasadena, California.
Working as both director and cinematographer, Snyder has won numerous awards for his commercial work, including two Clios. His Jeep "Frisbee" commercial received a Gold Lion Award at Cannes. He has traveled all over the world shooting spots for companies such as Audi, Budweiser, Subaru and Compuware. Snyder has also created dynamic portraits of sports icons such as Michael Jordan, Martina Navratilova and Troy Aikman for clients Nike and Reebok.
Snyder made his feature film directorial debut with Dawn of the Dead (2004), starring Sarah Polley and Ving Rhames. His next film, 300 (2007) starring Gerard Butler, was done on a much bigger scale, with a $65,000,000 budget. It was a huge box office smash, bringing in over $210 million at the U.S. box office alone. For his next project, Watchmen (2009), Snyder was given a budget of $100,000,000. A fan of the graphic novels himself, Snyder put his heart and soul into the film, which stars Jeffrey Dean Morgan, Patrick Wilson and Billy Crudup.
Married to second wife Deborah, Snyder has four children from his first marriage.
Filmography:
Guardians of Ga'Hoole (2010)
Watchmen (2009)
300 (2007)
Dawn of the Dead (2004)
Filmography
Director Guardians of Ga'Hoole 3D (2009)
Director Watchmen (2009)
Director Watchmen: The IMAX Experience (2009)
Director 300 (2007)
Director 300: The IMAX Experience (2007)
Director Dawn of the Dead (2004)
Date of Birth: March 1, 1966
Born in Green Bay, Wisconsin, Zack Snyder was featured in British Communication Arts magazine as one of the most talented commercial directors in the country. He began his early artistic training by studying painting at the Heatherlies School in London, then went on to the Art Center College of Design in Pasadena, California.
Working as both director and cinematographer, Snyder has won numerous awards for his commercial work, including two Clios. His Jeep "Frisbee" commercial received a Gold Lion Award at Cannes. He has traveled all over the world shooting spots for companies such as Audi, Budweiser, Subaru and Compuware. Snyder has also created dynamic portraits of sports icons such as Michael Jordan, Martina Navratilova and Troy Aikman for clients Nike and Reebok.
Snyder made his feature film directorial debut with Dawn of the Dead (2004), starring Sarah Polley and Ving Rhames. His next film, 300 (2007) starring Gerard Butler, was done on a much bigger scale, with a $65,000,000 budget. It was a huge box office smash, bringing in over $210 million at the U.S. box office alone. For his next project, Watchmen (2009), Snyder was given a budget of $100,000,000. A fan of the graphic novels himself, Snyder put his heart and soul into the film, which stars Jeffrey Dean Morgan, Patrick Wilson and Billy Crudup.
Married to second wife Deborah, Snyder has four children from his first marriage.
Filmography:
Guardians of Ga'Hoole (2010)
Watchmen (2009)
300 (2007)
Dawn of the Dead (2004)
Filmography
Director Guardians of Ga'Hoole 3D (2009)
Director Watchmen (2009)
Director Watchmen: The IMAX Experience (2009)
Director 300 (2007)
Director 300: The IMAX Experience (2007)
Director Dawn of the Dead (2004)
DOUBLE HORROR FILM - WEEKEND ENDING 8.30.09
The Final Destination impaled an estimated $28.3 million on approximately 4,300 screens at 3,121 sites, scoring the biggest start of the franchise. The previous best was the last movie, Final Destination 3, at $19.2 million three and a half years ago. Included in the fourth movie's opening were 3D presentations at 1,678 sites, and they accounted for 70 percent or nearly $20 million of the gross. While each Final Destination is basically the same story, the new movie remained an attraction due to the marketing's promise of a thrill ride in which the invisible hand of death makes mincemeat out of young people in new, elaborate ways involving everyday situations. Applying 3D enhanced the appeal as the right fit for this type of visceral, disaster-oriented thriller. Distributor Warner Bros.' exit polling indicated that 52 percent of the audience was female and 60 percent was under 25 years old.
Drawing far less blood than its predecessor, Halloween II (2009) nabbed an estimated $17.4 million on around 3,600 screens at 3,025 sites, and, according to distributor The Weinstein Company's research, 54 percent of the audience was under 25 years old and there was an even split between genders. By comparison, Halloween (2007) seized $26.4 million out of the gate on the same weekend in 2007, and the original Halloween II sold more tickets initially back in 1981. That picture itself was ultimately a huge step down from the first movie from 1978, so the same fate was reasonably expected for the remake, regardless of whether it faced off with another horror movie or not. After all, that's what happened with the recent Texas Chainsaw Massacre and Hills Have Eyes repeats as well.
Unlike The Final Destination, Halloween II (2009) was a continuation of the story of its predecessor and effectively offered the same slasher horror that audiences already experienced. It's difficult for horror franchises to maintain their audiences, because they are often ephemeral experiences and, once people get the scares, there's little reason to return. Franchises like Final Destination and Saw are exceptionally consistent, because they keep things fresh with new characters and more compelling suspense and mystery elements.
Drawing far less blood than its predecessor, Halloween II (2009) nabbed an estimated $17.4 million on around 3,600 screens at 3,025 sites, and, according to distributor The Weinstein Company's research, 54 percent of the audience was under 25 years old and there was an even split between genders. By comparison, Halloween (2007) seized $26.4 million out of the gate on the same weekend in 2007, and the original Halloween II sold more tickets initially back in 1981. That picture itself was ultimately a huge step down from the first movie from 1978, so the same fate was reasonably expected for the remake, regardless of whether it faced off with another horror movie or not. After all, that's what happened with the recent Texas Chainsaw Massacre and Hills Have Eyes repeats as well.
Unlike The Final Destination, Halloween II (2009) was a continuation of the story of its predecessor and effectively offered the same slasher horror that audiences already experienced. It's difficult for horror franchises to maintain their audiences, because they are often ephemeral experiences and, once people get the scares, there's little reason to return. Franchises like Final Destination and Saw are exceptionally consistent, because they keep things fresh with new characters and more compelling suspense and mystery elements.
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